amazing minimal and hypnotic microhouse tunes. incl. ada kaleh remix and 2 locked grooves by adah kaleh and someone unknown. very unique release.

jesper dahlback aka the persuader and nima khak present >through the cusp< the second release on sand under there newly formed swedish naan boys moniker. the release contains three raw analogue dance floor excursions. from stockholm with love.

after the infinite arpeggios of mattheis and the drum drive of oceanic, the third installment on nousklaer holds the middle right in between them. for this remix ep mattheis and oceanic exchanged tracks, and both came up with a new take on each others work. oceanic turns blablavism up and strips it down to a welcome version for club play. mattheis his version of hidden bero counts as a live kraut cover, barely using anything of the original, despite its mantric

christopher scott leary aka ochre is someone who has established himself via his own means, namely his own bandcamp page, as well as on labels like baselogic, toytronic, with a stunning lp in 2004, benbecula. as such, dutch label shipwrec have snapped him up for a fantastic new ep that showcases his style, which touches on ambient and downtempo as well as lushly melodic electronica, in all its glory.

an interplanetary space/love odyssey featuring melvin van peebles (brer soul, sweet sweetbacks baadasssss song). following heliocentrics *out there* and *13 degrees of reality* albums. download card included. vinyl 2 contains all instrumentals.

• great new remix package on this new uk label
• plays from surgoen on his rinse fm show
• includes a5 flyer
clusters convey infinite possibilities. the meeting place of creation or destruction, harbouring life and light or death and darkness. the fragile, intergalactic interplay of opposites. the beginning, the end, the unknown!

roger gerressen about his project >lunar phases< : -when thinking about the lights of the night the first thing that came to my mind was the moon. you look at it daily and we are all affected by it so much. since the project contains eight tracks and the moon travels through eight phases every month it seemed like an obvious choice to choose this subject for the lp. the first part of the lp is the >new moon<, when the people (and the music) are mellow and relaxed. the second part of the lp is darker, faster and more chaotic, which is more likely to be the effect a >full moon< has on people.-

not content with a rich back catalogue of releases under a plethora of monikers such as dabrye, jtc and charles manier spanning multiple genres on labels such as ghostly and rephlex to name a few, 2014 seemed like the right time to create an imprint with the aim of releasing the rich flood of music that flows forth from tadd mullinix.

this is the record of the year for us. goldffinch are mindblowing on this one, it is their very first move in this direction and the reusult is just brilliant. this is dj material that cannot be overlooked, all three gorgeous tracks out on vinyl in september as part of our clubwerks series. within the infinite flow of quality emotional techno, goldfinch have geared up to follow the fine sonic trail lead by the likes of life and death, innervisions, ten walls and many others bringing together the massive appeal that only impeccably crafted techno can draw. we just want this music played where it can be heard by everyone. endless love.

papersleeve edition - just music-, infinite waves shaped this rough stone.

infinite waves shaped this rough stone.

this bundle features the great artwork and the exciting music of holger 1, holger 2 & holger 3 in a black tote bag

sol asylum is back with their third release, this time around a various artist ep featuring tracks from friends and family members dana ruh, miss jools, and patrice meiner. this solid collection delivers a heavily swung slice of style and class without ever losing its straightforward dance floor attitude. the ep gets a proper start with dana ruhs >overcome<.a modern take on forward thinking house music with a cleverly swinging groove, pulsating filtered synths and provocatively soul stirring voices. all the rhythmical elements mold and evolve the track into a vibrant and energetic gem. next stop on our journey brings us to patrice meiners >uva< a broken beat dedication to his mother with fiery snares, atmospherically floating ghost like synths, intricately pitched hi-hat patterns and a tightly woven groove that is the signature sound weve all come to know and love from him. last but certainly not least is our trusted resident of sol asylum miss jools with >calamity cloud<. mysterious voices speak to us with an infinite realm of hovering synths, a playful but complex groove, driving hats, then a finely crafted layout brings us to alternate states between light and darkness creating a perfect balance that reminds us of a cloudy berlin day.

this is time collapsed. his eyes glazed over for a moment as he retreated deep inside himself. dont you see? he exclaimed, wild-eyed, looking as though possessed by some silent anomaly of his own making. dont you see what this means?

the album astral traveling by innerspace halflife is among us with 9 tunes straight from the universal psyche, yet articulated with the tools of human perception through waveforms. deeper and deeper the tunes take a listener on a journey of spacey pads, longing melodies, electronic bass notes, and jacking drum programming. in terms of human understanding, the universe is infinite which makes any scenario one can think of possible. with this in mind, astral traveling was composed and explores the deepness of creativity as innerspace halflife reaches down to pull out sounds using various techniques. the story begins with teardrop from nebula 1122+22. straight from a far away point in space which can serve as the beginning or end of a journey.

a period of review (original recordings: 1975 - 1983) visits k. leimers vast archive and unearths unheard work from a self-taught visionary whose use of generative composition ferried his music to infinite resonance. with its hypnotic arcadian terraces and nearly narcotic glacial beauty, a period of review has a rightful place in the canon of pioneering ambient music. double album includes 16 page booklet with extensive liner notes and ephemera, printed inner sleeves and a high quality mp3 download.

a yummy slice of catchy dance floor bliss and a persuasive testament to the infinite willingness of the duo.

vinyl only. sol asylum s follow up to the wildly successful >long time coming< ep is finally here. this time around from dilated pupils, a collective group of likeminded friends from the netherlands whom together have a distinct flavor in production consisting of analogue machines, tape noises and raw one-take jam sessions. in this release they have created a distinct mesmerizing atmosphere with an infinite labyrinth of intricate raw analogue grooves and evolving dream like synths. a haunting yet luminous collection of tracks tightly binds together the three-track entry with a remix delivered from birdmakingmachine.

a few words by steffen bennemann: i was in loose contact with aggelos (dream weapons) for a few years, watching him from a distant with great interest. in 2012, he sent me his debut lp on inner ear under his fantastikoi hxoi moniker and it quickly became my favourite album of the year. when i told him our plans for holger he sent me some of his more electronic leaning music. i was instantly captured by the driving, trippy kraut techno songs which show homage to the psychedelic sounds of the 60s and 70s while holding their own in the here and now. exactly our cup of tea.

nice price deal !!! streng limitierte picture disc ep des britischen elektronikproduzenten patten auf warp, der das kassettenlabel kaleidoscope betreibt und 2011 ein album namens glaqjo xaacsso veröffentlichte. laut xlr8r fliesst patten zwischen dem familiären und dem unbekannten, während andere kritiker namen wie arthur russell, boards of canada, j dilla und steve reich bemühen, um seine musik zu beschreiben.

resilience present the first release on their label from esoteric operators >montalk<...
limited white label with insert

with integrity and passion at the core of m_rec ltds mission, its not surprising to see the relationship between the label and uncompromising techno veterans dimi angelis & jeroen search continue. after releasing 12inches by jeroen search and counterpart, m_rec ltd. welcomes back the dutch duo with a release under their a&s alias. through the vinyl-only a&s series, the two producers have continued to deliver a consistent number of solid dance floor oriented tracks, supported by an infinite number of artists.

opener getting run down loops up a nagging hip hop sample over skittering dukey beats and washes drifting pads and spacey keys over the top for a hypnotic late night groover. reach out goes at a calmer pace, but revolves around intense builds, insistent polyrhythms and detroity riffs for a bit of hypnagogic drama. on memix duties, om unit does what you hope hes going to do, injecting reach out with seemingly infinite swathes of space and bottom end, looping about at his own pace, but with that constant sense of om unit purpose. nphonix closes out proceedings with a tweaky, rubbery acid style workout that will find friends in bass and house camps.

stellar om sources new album, joy one mile, marks a certain and spirited departure into worlds unknown. a faithful leap into the infinite beat, joy one mile is the most forward-reaching effort by stellar om source yet.
double 12 inch vinyl plus mp3 download code for the full album and a bonus remix by kassem mosse.

superb new diagonal release! 1st edition on red vinyl also comes in a screen printed poly jacket.
john cage once stepped into an anechoic chamber expecting to hear silence. instead, he heard the low-end throb of his own blood pulsing through his body. this is the story that gave blood music, the first new act on diagonal, their name. it is an appropriate one too: simon pomery, the creative lead and only ever-present member of the band, strikes his guitar with screwdrivers, mallets and his own bare fists, frequently putting real blood into the blood music that spits violently from the band.

aksutique is the moniker of matthias springer for his deep ambient techno, dub techno and downbeat productions. matthias has released several productions over the years, ranging from techno to chill out music under different names. the notch fields ep is the first vinyl release for aksutique and features 3 tracks of aquatic dub influenced deepness that sucks you right into its maelstrom of endless echoes, synth swirls, noises and reverberated chords. “echolot” for example is a pure intense submarine cinematographic infinite journey that takes you into the depths and never lets you free again. the record features an additional dark and electronic rework by valanx aka arne weinberg that drenches the original in eerie voices, electronic sounds and deep bass. not for the faint hearted.

a yawning desert covers and oppresses a distant daemon-sphere pregnant with the stuff of a thousand earths. clouds of the same hue and attitude as the infinite sands gradually dominate the sky, possessed of a malign intelligence. a trans-generational caravan cuts an unforgiving line through the dunes in a fruitless mission to close its great mad circle, forever missing by just miles. it is a roving, innumerable harem in liege to an unsexed tyrant who sings them this song, reproduced here by resonant hole emissaries jeanne vomit-terror and ed sunspot, as the caravan commits the abominable act of transgressing the horizon into the infant sky-desert “above.” carl calm’s “gulf of night” mix is a monster, as is the great mike simonetti’s perverse interpretation!

other heights return to its split format to present spacy techno works from huerco s. and lenta. huerco s. and lenta? who? precisely. even more so with its white label series, theres no agenda with other heights than to deliver fine, ethereal electronic music. to assiduously navigate the infinite pool of net-published material, stumbling upon delicious exotic gems—regardless of categorical boxes like genre or scene—to press in micro-runs and drop capriciously into the hands of like-minded aural adventurers.what is it that you seek,sonic traveller? to be led into those eyes-closed moments,to bask in sheets of dopamine-inducing chords? to become lost in the pulse, hypnotised by intoxicating rhythms and tiers of gently undulating timbres? for the time being, your search is over. huerco s.is from kansas city, usa—lenta, from russia. and other heights white label 009 is their record.

lovers of minimalist electro and techno will find much to engage with here. inspired by mathematical studies of pattern recognition and the concept of infinite dimensions, ekman produces sharp, precise beats over dark, trippy atmospheres that step and change creating a lattice of cold structured sound. limited to 200 copies on white vinyl.

for this seventh and awaited ep, released by the promising label fiakun, takes reins the acclaimed mexican producer cesar coronado. the young artist delights us with music full of new sounds, adapted to the infinite complexity of todays electronic music.

emission of electrons of a surface closes the release. dark and deep drums as cleverly programmed as ever, running on an infinite loop salted with bleeps and microtextures that lay under the ominous rhythm.

the seven tracks on this lp or the eight on the mixed cd (including two bonus tracks) owe as much to the traditional methods of house or techno and extraterrestrial disco (i shipped around the s-word here) as they disregard it and they are as characteristic to thomas studio space (i used thes-word here) and his sound aesthetics as they are to his infinite will to surprise

foam fangs could be a term used to describe silks preferred take on that too-easily dismissed 70s dancefloor dementia of disco – the soft bite, love nibble, mirrorball on steady/ready perma-revolve. jesse reiner (jonas reinhardts first mister, alongside past/part-time collaborators like phil manley of trans am and damon palermo of mi ami/magic touch), who never quite had the kranky krinkle of his ohm-ambient labelmates, travels head-on, tomorrowland-style, through long-form cosmic moroder constellations of >foam fangs<. nothing frothy about it, though there is a bit of the rubbery in reiner’s bounce-about, cool, funky kraut-disco. suddenly we are beaming back to a time when the world looked forward, envisioning a 21st century decked with silver, chrome, and neoprene. it is a sonic space both transparent and shiny, the metallic ding and cold ribbon of data, scrolling through infinite space. the opener, >foam fangs<, transports us instantly into an ever-expanding universe of sound and light at once fanning out and folding in on itself. variations on that theme continue as the jonas journey oscillates through the beat-beyond.

the story begins somewhere far away from awareness and rational thought. our main characters plays the roles of lost but not aimless arrows of pictures. pictures made out of sub atomic movements, amplified through breathable air and finally fragmenting its energy into space. we see the the sun go down in the ocean, the purple and red colors and finally the majestic sight of whales plowing the water in the horizon. it has been many years, in fact, so many years that we are now back again to the same point time. it is like an infinite loop, never loosing pace and determination.

born in canada, now residing in leeds, 21 year old producer nathan micay - bwana is the latest artist to join the somethinksounds roster. with zero production experience, bwana only started making tunes at the start of 2011. fast forward 18 months and he has already signed tracks to canadian label infinite machines (over and done ep), to mad decent imprint the jeffrees (cant you just / this is real) and featured upon the playlists of tastemakers mary anne hobbs, rob da bank and rinse fms monki.

the wait is over. the outside agency and ophidian unite on the 20th genosha release to collectively blow minds, expand vocabularies and sow the seeds of confusion. we could describe the tracks to you, but that would spoil all the fun and/or disappointment. if you have ever asked yourself what would happen if these three got together and made a whole ep, then the answer to your question is available for you to purchase right here. boom.

with daughter & son on the b-side of the vinyl, the freiburg native presents a groovy, playful and impulsive sound that is guaranteed to let a summer feeling arise. set between classical techno and modern tech-house the title track daughter & son points consistently towards summer. patrick kunkel & dirk redmer refine their remix with a hypnotic bass line, but then let the track, with its dub elements and the choir parts, drift so incredibly beautiful into the sunrise, that one would wish for an infinite loop. the beach with its more playful harmony feeling and percussive gantry gives a first taste of the open-air season 2012.

in the beginning god created the bass drum. he made it beat 8.601 days. then he left it away. god said: death is the greatest work of art. and its expensive. finally infinite. thats politics and science and art. the art of omission. the art of refusal. death is absolute. the bass drum is absolute. do you want the absolute bass drum? if you manage to convince him, god will be happy to lend you his axe, because what happens is what he wants. just like the people. they want it to happen, too. the most expensive work of art in the world is a skull encrusted with 8.601 diamonds.

2006 outer-space electro bliss by arpanet aka gerald donald.

traveling further into the infinite realm of time & space, tw returns with this latest offering of dark & deep techno. music for your solar system travels. clear marble vinyl.

>dreams say, view, create, shadow leads< is the brand new album from dustin wong (founding member of ponytail and ecstatic sunshine), following on from his 2010 solo double album & dvd combo >infinite love<.

played and supported by laurent garnier, angel molina, kirk degiorgio, samuel l session, alan fitzpatrick, freddy k,dustin zahn, obtane, truncate and more. thinking outside the crowd, trying to obtain their own sound, their identity, sometimes through random ideas ,good ideas were born. iac2 is one of these. its the homogeneous union between the dub chords of emanuele and riccardos progressions. a meticulous attention to detail.. a desire to escape from prejudice and conformity are perceived through the atmospheres and the chord sequence that evades throughout the track.to wrap it all theres a stunning remix by future beat alliance (tresor)with continuous modulations on the main theme.this is a real trip into warm sounds of analog gear, evading through infinite progressions. the other remix has been edited by the painter of the moon : quantec (echocord), emotional and atmospheric dub techno as he always knows to do.its distortions and unusual sounds make us understand his concept of evasion.

after three albums for as many labels, dean blunt and inga copeland, also of the group hype williams, release their debut hyperdub lp, >black is beautiful<. amid rumours circulating, and confirmed by their advisor denna frances, the album was recorded during a tremulous period for the two: inga copelands arsenal girls tryouts, deans waschbärgate trial (he was implicated in being behind a one night robbing spree across 16 taxidermists based in london and the south east, allegedly only for racoons) and his subsequent conversion to nation of islam upon being acquitted. >black is beautiful< is laced with their signature hazy glow and is full of crunched eurovision lullabies, kinetic drum machine jams, unsettling funk, smeared walls of synth, moments of unadulterated opiated bliss, mogadon rap, infinite coughs and insights into the odd sexual behaviour of crackers. the word ebony occupies the albums entire front cover space in bold white print. >black is beautiful< is red and white.

anspruchsvoller, melodischer us-prog-pop-rock, mit klarem fokus auf die instrumentalparts, zeitgenössisch interpretiert, klassisch vorgetragen, von meistern ihres fachs. beschwingte, kompositorisch ausgefeilte gute-laune-lieder für alle lebenslagen.

ihr eher kindliches, mal zart hauchendes, mal schrill piepsendes stimmchen erinnert an plastik-pop-acts der 80er-jahre - ist aber nur der zuckerguss auf ihren grandiosen tracks.

for a blink of an eye shhhh leaves the mystical and foggy output to open its doors for floorburning loopfunk with a gypsy taste by no one else than german techno�producer sascha muller, an experienced senior in electro�scene releasing his infinite creative output for some decades now. starting with the main theme >sommernachtstraume< (summernight dreams) and a video with handmade moulded plasticine characters it burns down the romanian street credibility at first glance. an additional remix by bluff with reminiscences to ancient hypnotic techno music as celebrated in cologne mid 90s closes the a�-side while a new confusing journey starts on b�-side. with its two hypnotic big city nightlife classical electro pieces >bangkok< and >future punk part ii< the soundtrack returns again and reveals a soft carpet full of robotic cyberpunk maelstrom for dancers and listeners after 6a.m. we welcome another new unexpected artist on shhhh, stating that eclecticism is not a bad word, but a desired place to be.

12 inch vinyl lp in gatefold cover, including code for free download of the full album.

photonz have taken no prisoners in 2011. following their dancefloor destroying third release on one eyed jacks alongside tiago they up the heat yet again with a first outing on dont be afraid. spectre is surely destined to please fans of oni ayhun, joy orbison, and other forward thinking house music producers alike with its jaded xylophone hooks and cold as ice groove. wall is a slice of trademark photonz portuguese acid, an infinite groove that builds and builds. dokos is a more downbeat, tracky number which will slot nicely into the sets of djs who favour the old school house sound of chicago and detroit. prometheus catches the pair at their most experimental, upping the tempo and unleashing an ambitious techno juke roller which is as much machinedrum as it is the sound of 1990s techno circa pacific records and plink plonk.